 30.8.2008 Stacey Pullen @ Crazy Detroit special, Flex, Wien |
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Kalendereintrag
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Datum des Ereignisses: 30. 8. 2008 (Einmaliges Ereignis) |
| Stacey Pullen @ Crazy Detroit special | |
| LineUP |
feat. Stacey Pullen (Transmat/Blackflag/Hi-tek Soul Detroit)) supported by Electric Indigo (Indigo:Inc) Chris Esycho (Can`t mix won`t mix/sound:frame) |
| Specials/Infos | |
| Entry | tba |
| Styles | House/Techhouse/Detroit & more |
| Location |
Flex U2 - U4 Schottenring Donaukanal, Abgang Augartenbrücke 1010 Wien |
| Distance | um die Entfernung zu berechnen bitte Postleitzahl in deinem Profil eingeben |
| Routenplaner | Größere Kartenansicht/Routenplaner |
| Flyer |
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| sonstiges |
More about Stacey: Stacey Pullen on myspace the others: Electric Indigo Chris Esycho and of course the club: Flex ------------------ Stacey Pullen is the Kosmik Messenger. An innovator from the second wave of Detroit techno, he grew up under the mentorship of Detroit's legendary three: Derrick May, Juan Atkins and Kevin Saunderson. Still continuing to produce his characteristic atmosphere laden electronic sound, Stacey Pullen compounds his reputation as a producer with that of being one of the world's most in demand DJs, playing weekly across the globe year in year out. With a font of passion for music and performance that never dries up, Stacey Pullen still plays every gig from the heart, seeking to surprise and engage, to provide an unforgettable experience, tooffer his unique catalogue up without predictability, defying expectation. Above all, from his earliest attempts to the current day Stacey Pullen has stayed true to his one goal: to become and to always be an Innovator. From the age of 9, when he started playing flute in his school band, Stacey has always been playing musical instruments. In high school he found himself traveling around to a lot of cities in the USA playing percussion in school bands, which gave him a taste of – and preparation for – the traveling involved in life as a musician. He had also seen and been prepared for a musician's life from watching his father who was in a Motown band called the Capitals in the 1970's, filling much of Stacey's childhood with observations of a life dedicated to music and travel. Around 1985, while Stacey was still drumming and traveling with his high school band, the Detroit Techno movement was born, and provided a revolutionary sound to the youth of Detroit. Stacey Pullen and some friends from his band took their cue from musical leaders like Jeff Mills and Electrifying Mojo Radio and began to experiment with turntables and a mixer. He also started clubbing around the age of 15, the first club he frequented was called 'The Primadonna', the first DJ he remembered was a local legend called Alan Ester and the first music he was clubbing to was called 'Progressive Music' – not in the sense of the word that we currently understand, but because, in Stacey's words “the meaning of 'progressive' was a futuristic way of thinking about music.” After graduating he went to university in Tennessee, leaving techno behind apart from mix tapes and weekend jaunts back to Detroit to go to legendary club the Music Institute. After a couple of years, Stacey realised his future was in music not academics, and he abandoned his course and moved home to make music full time. Through The Music Institute, Stacey quickly got to know the leading lights of Detroit's underground: Alton Miller, Chez Damier, Derrick May. Alton was living in the same building as the club, and showed Stacey a lot of the background activity, including watching Derrick May making his tapes for his weekly radio show. Stacey approached Derrick, told him that he made music and Derrick invited him to play some to him. From here, Stacey started hanging out at the Transmat studios and became friends with Jay Denham, who was recording on Transmat sub label Fragile as 'Fade to Black'. Stacey watched Jay work, absorbed a lot of knowledge, and from there Stacey started putting more sophisticated beats together, making his first real tracks. He played some to Derrick who told him “ it's cool but you need to work harder” – which Stacey resolved to do and went back to the studio. A couple of years later, in 1992, Derrick suggested that a good way to develop his skills would be for Stacey to do some remix work with Kevin Saunderson. Stacey began to work with Kevin on remixes including one for Karen White - 'The Way I Feel About You' and some which never made it to print, including one for the Prodigy. While Kevin was originally commissioned, he asked Stacey to do his own remix. The Prodigy liked it, but their label didn't. Stacey kept the backing track without the Prodigy samples, and turned it into his first track which was later released through a subsidiary of KMS in 1993. After some more time perfecting his craft Stacey again played some original sounds to Derrick, who agreed to release his first Silent Phase track 'Ritual Beating System' as the 'Bango EP' on Fragile, which was Derrick's experimental label. Stacey was also invited to submit this track, “Wave The Rave Goodbye”, to a compilation of new Detroit artists on KMS. At this point Stacey truly became part of the Transmat/Metroplex/KMS team – the three studios worked very closely together, and were housed on different floors of the same building in downtown Detroit. In early 1993 Derrick, who was spending most of his time outside the USA at that time, started encouraging Stacey to play gigs in Europe to widen his audience and support the single. He invited Stacey to join him in Amsterdam for a month – that month became a year. He moved in with Derrick and together they toured Europe every weekend playing Detroit techno to what Stacey remembers as an enthusiastic and interested audience. Stacey began to play high profile gigs at clubs like London's Ministry of Sound and Paris's Rex Club, and began meeting the DJs and artists who worked in Europe like Laurent Garnier, Frank De Woolf and Renat and Marcus Loan from Belgian super label R & S, who invited Stacey into the studios to make a record. This ended up becoming the first Silent Phase album, 'Theory of Silent Phase' in 1994. After a year, Stacey moved back to Detroit, ready to establish himself and start his own label. Throughout 1994 he commuted between Europe and the USA, finishing the Silent Phase album at R & S and DJing. He also made his first trips to Japan, South East Asia and Australia to DJ. By then he had released another Fragile track 'The Sphinx' as Bango, and the first Silent Phase album was ready for release on Transmat in association with R & S. Flooding in after the album release were a lot of offers for Stacey to record on other labels, including one from Mr. C to record on his UK label Plink Plonk. This resulted in a couple of released on Plink Plonk by the alias 'Kosmik Messenger' – 'Eye to Eye’ and 'Flash' - both released in 1995. Stacey was also DJing a lot of dates at The End and around Europe, which continued non stop until 1997. Through his releases on Plink Plonk, Stacey was then invited to release on the new Belgian label 'Elypsia' as 'Kosmic Messenger', which led to the release of his second LP 'The Kollected Works of Kosmic Messenger', which Stacey recollects as a 'straight up techno album' for him, after the more spiritual first album on Transmat. In 1998 Stacey was invited to produce his very first major label release on Virgin Records, and at the same time was planning to open the label he had wanted to start for about three years 'Black Flag'. He recorded a more conceptual LP 'Today is the Tomorrow You Were Promised Yesterday ' for Virgin imprint ‘Science’, the first under his own name. He was very influenced by his research into the history of Jazz, and – with the support of Virgin – used unorthodox ideas including the inclusion of an Opera Singer on one track 'Vertigo'. He also released remixes from influential artists of the time like Dave Angel and 4Hero. He also started his first label Black Flag Recordings with his partner of that time, and started releasing records as 'Black Odyssey', starting with 'Sweat' in 1998 and then 'The Stand in 2000'. Around that time, as vinyl started to look a little shakier and after 8 years of consecutive releasing and touring, Stacey took a break from recording. He began to ramp up his DJing schedule even more, and spent the next 4 to 5 years concentrating mainly on furthering his own musical education. Through this time, Stacey's reputation as a DJ became as much of a draw card as his reputation as a producer, and he became renowned for long, experimental, adventurous and soulful journeys through music lasting at least 5 hours. He sees each set as a 'best of' all dance music through time – there is no one style he prefers, Stacey just plays the best of everything, with an emphasis on passion and innovation: no two sets are alike. 2007 sees Stacey still on the road DJing each and every weekend, bringing his signature eclecticism to some lucky part of the planet. He DJs original tracks from vinyl, but also plays many of his own edits and tracks freshly burned to cd – edits of tracks he has made, he has been sent by other artists, promos, tracks he has bought. As a result, every set becomes more personalised, more unique, and indisputably a window into Stacey's musical passions. The lure of this technological innovation has also brought Stacey back to the studio, making his own tracks and executive producing other artists. Also, excitingly, he has rekindled his Black Flag label and has been preparing new releases using a mixture of analogue equipment and digital post production which he thinks are amongst his best ever work, plus plans to release older material which has never been heard before. |
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 10 Apr 2008, 17:04
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Beiträge in diesem Thema
dj AcidGreen/Acidrecords 30.8.2008 Stacey Pullen @ Crazy Detroit special 10 Apr 2008, 17:04 
daFunk uffz!
mir fehlen die worte! 10 Apr 2008, 17:08 
Keep your head up! uffz!
mir fehlen die worte!
Warum??? 10 Apr 2008, 17:37 daFunk Warum???
...weils ein schwer cooles booking ist ;... 12 Apr 2008, 18:37 Keep your head up! ...weils ein schwer cooles booking ist ;)
Danke s... 15 Apr 2008, 13:07 Kona_ mein held! endlich habts es gschafft.. hab ma ... 10 Apr 2008, 17:49 sennah mein held! endlich habts es gschafft.. hab ma ... 10 Apr 2008, 19:32 Baron THX /exc/
war voriges jahr am Springseven die rei... 10 Apr 2008, 19:31 Miss Dita D.K.-dance THX /exc/
war voriges jahr am Springseven die rei... 11 Apr 2008, 13:04 fjo oh fucking yeah! manche dinge erledigen sich d... 10 Apr 2008, 20:16 Neuge cooles booking!! /sat/ 10 Apr 2008, 21:22 mehmet acuma feine booking aber irgend etwas fehlt noch finde i... 10 Apr 2008, 22:15 rotten
genau das hab ich mir auch gerade gedacht ;) 10 Apr 2008, 22:19 fjo soweit ich mitbekommen hab spielt der an dem abend... 11 Apr 2008, 02:13 KB! YES! 11 Apr 2008, 07:46 Lysistrata Coole Sache!!! 11 Apr 2008, 08:51 murli01 lässig, dass in letzter zeit immer wieder alte det... 11 Apr 2008, 09:07 rotten auf jeden fall! knallharter detroit electro...... 11 Apr 2008, 13:05 Keep your head up! Nun das freut uns natürlich, das Stacey derart gro... 11 Apr 2008, 13:39 rotten
jetzt fällt der groschen. hab mich schon gewund... 11 Apr 2008, 14:00 Keep your head up! jetzt fällt der groschen. hab mich schon gewundert... 11 Apr 2008, 14:10 Eye D hm, noch nie von ihm gehört, aber bin fix dabei... 11 Apr 2008, 17:35 Keep your head up! Line up has been updated! 6 May 2008, 15:16 T.Alex Hier kann man sich einen Vorgeschmack von Herrn Pu... 11 Jul 2008, 17:55 Keep your head up! Und da gibt`s Stacey Pullen für`s Auge (u.... 11 Jul 2008, 18:48 Techno Base Ein Schmankerl für die Liebhaber der elektronische... 22 Aug 2008, 10:46 Keep your head up! Für all jene die es interessiert!
Stacey Pull... 29 Aug 2008, 22:09 B0tt0mline wir sind zu 8 oder so dabei :D 30 Aug 2008, 08:29 dj AcidGreen/Acidrecords so ist es !!!!!!!... 30 Aug 2008, 15:53 KB! Nur noch wenige Stunden! /biggr/ 30 Aug 2008, 18:54 B0tt0mline ...dann wird das flex erbeben :D 30 Aug 2008, 19:43 dj AcidGreen/Acidrecords loooooool ihr seids scho wieder so /cry/ drauf. b... 30 Aug 2008, 20:09 acidophilusMilk Gibts Überlebende? /ali/ /hah/ Ich war leider ni... 31 Aug 2008, 10:28 cadavez war echt geil gestern,nur leider schon um 4 uhr sc... 31 Aug 2008, 10:47 KB! Hammer Set von Stacey. War gut dass er 3 1/2 Stund... 31 Aug 2008, 13:00 dj AcidGreen/Acidrecords warum war denn echt um 3:30 schon licht an und um ... 31 Aug 2008, 13:32 KB! warum war denn echt um 3:30 schon licht an und um ... 31 Aug 2008, 13:42 Spacer Ja Mittlerweile kackt das Flex echt ab,Gibt besser... 31 Aug 2008, 13:49 dj AcidGreen/Acidrecords na abkacken würd ich absolut ned sagen mir gefällt... 31 Aug 2008, 13:58 Spacer ja,aber andere Lokale haben bis nach 6 offen /sat/... 31 Aug 2008, 14:07 FloJ So wei Stacy Pullen drauf war. hätt er eh noch bis... 31 Aug 2008, 14:14 Smaug war gestern wieder nach langer Zeit mal wider im F... 31 Aug 2008, 15:12 Mysterio Hab selbes von Freunden gehört die letzte Woche be... 31 Aug 2008, 15:57 B0tt0mline sehr cool gestern!!! /luv/ /luv/ /luv/... 31 Aug 2008, 17:22 Nick kann mich mal jemand rechtlich aufklärn - wielang ... 31 Aug 2008, 17:44 Andros http://www.wien.gv.at/recht/landesrecht-wi...l/lg1... 31 Aug 2008, 17:55 Crazy Sonic Das Ganze ist ein riesengrosses Politikum! Ob ... 31 Aug 2008, 18:54 dj AcidGreen/Acidrecords kann wohl nur spö / grüne dahinter stecken nur meh... 31 Aug 2008, 19:03 fjo kann wohl nur spö / grüne dahinter stecken nur meh... 1 Sep 2008, 07:16 Keep your head up! Es war ein sehr feiner Abend - Stacey in Hochform... 1 Sep 2008, 01:49 Delegoano also das ist echt schwer zu bezweifeln, dass diese... 1 Sep 2008, 07:25 Andros hatte die stenzel net mal vorgeschlagen das alle m... 1 Sep 2008, 07:34 Delegoano DJ contest bei da stenzel /lau/ /lau/
Viell. lös... 1 Sep 2008, 09:43 wolfi25 ist das jetzt jedes mal so das um 4uhr zu gemacht ... 1 Sep 2008, 09:48 Andros ist das jetzt jedes mal so das um 4uhr zu gemacht ... 1 Sep 2008, 09:52 wolfi25 ok danke....
bin schon gespannt... 1 Sep 2008, 10:04 Crazy Sonic schauts leitln, wenn wir wieder dürfen, versprech ... 1 Sep 2008, 10:06 Spacer ne gute idee währe doch den Voorn für die Afterhou... 1 Sep 2008, 10:11 Delegoano Schade Schade...
Es wäre Zeit für eine Österreich... 1 Sep 2008, 10:13 Keep your head up! Schade Schade...
Es wäre Zeit für eine Österreich... 1 Sep 2008, 11:08 hama wieso macht man nicht im Badeschiff weiter? 1 Sep 2008, 10:45 Delegoano Womit Du wahrscheinlich recht hast... die herrsche... 1 Sep 2008, 11:21 Andy Catana hatte die stenzel net mal vorgeschlagen das alle m... 1 Sep 2008, 12:52 Andros ist zb in Deutschland ganz normal! Ich mein wi... 1 Sep 2008, 12:56 Keep your head up! ist zb in Deutschland ganz normal!
Ich bin z... 1 Sep 2008, 17:20 FloJ Jaja, die Bezirksvorstenzel... /hah/
Mal ehrlich... 1 Sep 2008, 15:01 Andy Catana ja und da musst vorspielen...also in münchen ist d... 1 Sep 2008, 19:46 Spacer ich denk mir auch schon die ganze zeit,das es mal ... 1 Sep 2008, 20:28 Andy Catana ich denk mir auch schon die ganze zeit,das es mal ... 1 Sep 2008, 20:31 prof.brinkmann sorry aber ab und zu denk ich mir bei deinen posts... 4 Sep 2008, 12:17 Keep your head up! @ Andy
Na klar wo sonst in München, hätte ich als... 1 Sep 2008, 20:52 Spacer na war keine verarsche,und ich habs erst samstag e... 1 Sep 2008, 21:34 Keep your head up! so what?
und da fühlt ihr euch verarscht?
geh bitt... 1 Sep 2008, 21:40 Spacer na das war e ruhig.
wer beim Karotte thread dabei ... 1 Sep 2008, 21:48 Keep your head up! aber zum sagen ich will mit meine posts die leute ... 1 Sep 2008, 21:51 Spacer Du ißt die Dinge heißer als sie sind, kann das sei... 1 Sep 2008, 22:00 Keep your head up! Naja,ich versuche halt die posts ernst zu nehmen.
... 1 Sep 2008, 22:04 sweet r. Aber gut: wer schon das Punschtrinken /xms/ verbie... 2 Sep 2008, 19:32 FloJ Mal Frage zum Set:
Gab irgendwann einen Electro T... 28 Sep 2008, 09:34 Schleifer hm... mir fällt nur Daft Punk´s Technologic ein...... 28 Sep 2008, 10:42 FloJ Na, Daft Punk is es leider nicht.
Es ist weniger ... 28 Sep 2008, 10:59 FloJ Suche hat sich erledigt: es ist D-Unity - Shake it... 29 Sep 2008, 17:46 
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