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Datum des Ereignisses: 24. 4. 2006 (Einmaliges Ereignis) |
| Inverse Cinematics @ Dub Club | |
| LineUP |
Inverse Cinematics (Pulver Records, Fluid Ounce - Stuttgart) The Bionic Kid (Waxolutionists) |
| Specials/Infos | |
| Entry | 5,- < 0:00 > 7,- |
| Styles | Funky music (I guess...) |
| Location |
Flex U2 - U4 Schottenring Donaukanal, Abgang Augartenbrücke 1010 Wien |
| Distance | um die Entfernung zu berechnen bitte Postleitzahl in deinem Profil eingeben |
| Routenplaner | Größere Kartenansicht/Routenplaner |
| Flyer |
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| sonstiges |
Very few production units in the world have made their reputation growing as fast as the Inverse Cinematics duo of young Danilo Plessow & Joachim Tobias. Their distinctive sound signature blending House, chopped up breaks and Jazz aestethics have already causes quite a stir in lefts and rights of the global music scene. With only 5 twelves under their belt, Danilo & Joachim have succeed to put many a heavyweight on its knees, from London to Tokyo. After having open their way in 2002 with the (highly collectable now) Slow Swing EP on Dublex Inc’s Pulver imprint, these Stuttgart’s prodigies have blown expectations with the 10th release of Zero DB’s imprint Fluid Ounce in october 2003. Indeed, Shoot The Pianist (Parts 1 & 2) have damaged many dancefloors wordlwide since then. This 3 tracker reached quickly amazing sales figures and stayed as one of the highlights of Gilles Peterson’s favourites on his Worldwide show that year. This release only brought them a horde of new fans as diverse as Jazzanova, Mr Scruff, dj Spinna, Spiritual South or H-Foundation and propelled them into the limited circle of the most wanted remixers. Besides already remarkable reworks of Erik Sumo and Dublex Inc’s classics on Pulver, the IC boys retweaked in the last 2 years quality material of Baby Mammoth (on Eccochamber), Motorcitysoul (on Infracom), Overtone (on Rosebud), Ye :Solar (on Vinyl Vibes) and Parov Stelar (on Etage Noir) to name a few... And if it wasn’t enough, 2 other succesful EP’s graced the boxes of many tastemakers : the incredible Detroit Jazzin EP, the Pulver follow-up end of 2004 and the recent Vogelhaufen EP released on Pablo Valentino’s Faces imprint. On a solo tip, Danilo Plessow kept the standard high under his DITD moniker under which he signed tracks on Tokyodawn and an interesting rework of L’Aroye on Faces. His close connection with Valentino, the Strasbourg don, led him also to kick off their Hipster Wonkaz adventure with Hot Face/We Love on MFP Collective’s Flying High with raving reviews and support as consequences. Expect some more craziness in the future and a complete full length is in preparation with Pulver. You can check out some of my productions at www.metronomic-family.com/inverse-cinematics |
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Vereinfachte Darstellung | Aktuelles Datum: 30. April 2024 - 05:04 |
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