Hier eine Sammlung zu Filter Plugins

fang mal an:



FabFilter Volcano's two independent multimode filters provide low-pass, high-pass, and band-pass responses with 12/24/48 dB/octave slopes. Any filter parameter can be modulated by the two LFOs and the MIDI/audio-triggerable EG.


Originally developed for FabFilter One, Volcano's filters were designed from the ground up to be the fattest and smoothest self-oscillating digital filters possible.

Each filter offers seven different filter characteristics that define the unique sound and overdrive of the filter. They range from smooth filters with moderate overdrive to raw, self-oscillating over-the-top madness!

In combination with the response and slope settings, FabFilter Volcano offers up to 63 different filter types.


Tweak the filters with Volcano's interactive filter display that shows both filter curves and lets you drag them around. You can adjust the filters separately or both at the same time.

The panning setting on both filters enables you to adjust the filter balance on the left and right audio channels, which creates stereo effects without phase problems.

The frequency, peak, and panning settings can be modulated in any way imaginable with the two MIDI triggered LFOs and the MIDI/Audio triggered envelope generator. The LFOs have triangle and square wave forms and can be synchronized to the host tempo in normal, dotted, or triplets mode.

Also, you get all the standard FabFilter goodies: perfectly fine-tuned knobs that work both in vertical and circular drag modes, interactive MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, over 100 great presets, extensive help file with interactive help hints, sample accurate automation for all parameters, AltiVec and SSE optimization, and much more.

http://www.fabfilter.com/products/volcano.php





Especially suitable for live performance, FabFilter Simplon is a simplified version of FabFilter Volcano with two independent multimode filters providing low-pass, high-pass, and band-pass responses with 12/24/48 dB/octave slopes. The filters can be used in serial or parallel mode.


Originally developed for FabFilter One, Simplon's filters were designed from the ground up to be the fattest and smoothest self-oscillating digital filters possible. Simplon's filters sound raw but never cheap or 'digital', even at full resonance.

Each filter offers three different filter characteristics that define the unique sound and overdrive of the filter. They range from smooth filters with moderate overdrive to raw, self-oscillating over-the-top madness!

In combination with the response and slope settings, FabFilter Simplon offers up to 27 different filter types.

Tweak the filters with Simplon's large interactive filter display that shows both filter curves and lets you drag them around. You can adjust the filters separately or both at the same time.


And of course, you get all the usual FabFilter goodies: perfectly fine-tuned knobs that work both in vertical and circular drag modes, interactive MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, great presets, extensive help file with interactive help hints, sample accurate automation for all parameters, AltiVec and SSE optimization, and much more.

http://www.fabfilter.com/products/simplon.php






At a first glance, FabFilter Timeless is a perfectly modelled classic tape delay. Look further and you'll discover that its unique high quality filters and many creative options turn it into the ultimate sound-mangling machine. Create echo, chorus, flanger, phaser, scratch effects and much more! Modulation is a breeze, thanks to the unique drag-and-drop modulation matrix. And over 200 presets will get you started quickly.

Timeless Demo
FabFilter Timeless, Twin and One. No additional effects (MP3, 1.1 MB)

Two separate L and R delay lines are available which can be panned individually. Each delay line can be synchronized to the host tempo with fully adjustable offset. A tap feature is provided, and the L/R delay times can be synchronized.


In Tape mode, the delay lines function as a classic tape delay. Changing the delay time will change the pitch of the signal accordingly, enabling you to create scratch-like effects because the delay line responds very smoothly to knob movements. In Stretch mode, the music slows down or speeds up while keeping the pitch the same.

The signal from the delay lines is fed to two highest-quality multimode filters that shape the sound any way you want. Each filter has six filter characteristics that define the unique sound and overdrive of the filter. They range from smooth with moderate overdrive to raw, self-oscillating and over-the-top! The filters are easy to tweak with the interactive filter display.

From the filters, the signal is taken back to the delays and can be adjusted with the feedback and cross-feedback knobs. Per-channel phase inversion is provided to create jaw-dropping flanger and phasing effects.


Adding modulation is easy with the drag-and-drop modulation matrix. To fill a modulation slot, simply drag the source button for a modulation source to the knob that you want to modulate! You can create incredibly complex sounds with ease by letting modulation slots modulate each other. Almost all parameters can be modulated.

Modulation sources: two LFOs, EG, velocity, aftertouch, mod wheel, pitch bend, and keyboard track. Each of these can modulate any modulation target.

The LFOs feature tempo/MIDI sync, triangle, sine, S&H, and random wave forms, adjustable wave balance, and a polarity option. The LFO frequency is a modulation target. All of the audio/MIDI triggered EG parameters are modulation targets as well.

And of course, you get all the standard FabFilter goodies: perfectly fine-tuned knobs that work both in vertical and circular drag modes, interactive MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, over 100 presets, unique per-component presets, extensive help file with interactive help hints, sample accurate automation for all parameters, AltiVec and SSE optimization, and much more.





http://www.fabfilter.com/products/timeless.php

sehr geiles plugin um Drums, Bässe, Leads mit einer ordentlichen Portion Schmutz auf anzufetten:





It's commercial common knowledge that "people always want more distortions" and this is exactly what Ohmicide: Melohman is delivering. In one death blow.

Based on Predatohm design, Ohmicide:Melohman is organized around up to four frequency bands, each of them coming with their own Noise Gate, Dynamics, Distortion, Feedback Generator and all mixing abilities with just a twist of pre- and post-processing (distortion input, high shelf output...).

The DSP is 100% different from Predatohm: compressor/expander works differently to fit well with both the very sharp Noise Gate we've included and the huge amount of new distortions. Those are at the core of Ohmicide. They're designed to offer pretty much everything you can think of next to a lot of things you can't think of. Some, like the tasty "Porridge" distortion sounds deliciously analog, while the "Fractal" one is harsh and digital as hell. Or you've got the very dense "Accumulator" that can add low harmonics instead of high.

All those distortions are mainly new breeds - yet the classics are also covered. They all are declined in three variations: normal, ampsim and odd. The "Odd" one is terribly exciting as it gives you control on the harmonics frequency and allows for slightly detuned distortion. Last but not least, we've added a disto type that was missing from Predatohm... No distortion. It was an absolute need, considering how many things can be done just by using the multiband dynamics and/or the filter!

Indeed the filter that allows the band separation - much steeper than the Predatohm's - is matched with a recombining filter that correct the phase shifts it induced. This improves greatly the transients preservation as well as the filter sound. Add to this an interesting dynamics processing and you'll end up using it everywhere. We've warned you!

Predatohm addicts will be happy to know that not only does Ohmicide:Melohman include a feedback generator on each band, but that it can be spread in stereo.
Combined with all the different disto and melohman features it's a huge larsen soundscape waiting to spice up your tracks.


Melohman Massacre!
Already known to Symptohm:Melohman and Minimonsta:Melohman users, Melohman is a set of features dedicated to live action. It allows you to morph between presets or randomize the sound in an intuitive, organic way. Just plug a Midi keyboard on your computer and play notes to go from one sound to another at a velocity sensitive speed.
For the first time it is included on an effect, and it shows very exciting results for anything that involve live mix/remix as well as very efficient in a production situation. Also used in a midi pattern logic it's a very powerful tool for every loop manglers. This plugin is available in the following standards RTAS - Mac OS X (PPC and Intel) : For use on any ProTools 7 OS X systems VST 2.0 - Windows / Mac OS X (PPC and Intel) : For use with all VST-compatible host (Cubase, Ableton Live, EnergyXT, Tracktion...) AudioUnits - Mac OS X (PPC and Intel) : For use on Logic Audio, Ableton Live, Digital Performer and any AU-compatible host

Core features

Phase corrected multiband stereo effect. Band distortion : a heap of modern sounding stereo distortions that can feedback. Band dynamic : alien compressor or expander, synchronized noise gate Band stereo : optionally process in mid/side mode for more stereo field tweak-ability. First Melohman effect: midi controlled preset morphing or randomization. Remixers' new absolute must?

Optional High Quality rendering (internal oversampling)

Great on guitar, bass, synth, and any living creature in general. And as usual on Ohm Force products

Useful presets instant variable transitions where all the parameters switch from the old value to the new one in a ballet you won't forget! MIDI automation: It allows control of all parameters from *any* MIDI source and records its movements. With the MIDI feature, it's also possible to adjust the LFO phase to get accurate tempo synchronization and to obtain totally musical and rhythmic effects. All RPN and NRPN data sent or recorded are 14-bit accurate. This feature is not available on demo versions but is featured on the Frohmage free version, instruments demos or every standalone versions for you to try.

Easy MIDI configuration with Auto-Bind feature. Select a knob on the screen, activate the Auto-Bind and move a controller knob on your MIDI device: the parameter will be automatically bound to the chosen knob.

Fast configuration: Save MIDI configurations into files and reload them to avoid repeating the same operations each time you load the plug-in. Advanced MIDI support with autobind feature and fast configuration

Tempo synchronization: Instantly matches the exact beat of your track High quality DSP algorithm: The greatest sound quality. See for yourself with any demo version or check out the samples. Sampling rate up to 384 kHz.

Revolutionary graphic user interface! Big handy buttons which are more precise and smoother than you could imagine... With our SubPixel technology there is more definition. Move several buttons at once, with group selection and side-click. Advanced GUI full of live-performance features, such as flying knobs, preset morphing, and grouped parameters...



more und demo hier: http://www.ohmforce.com

war auch im sound and recording ein äußerst positiver test drinnen...ausser dem ohm-jungs

hier auch noch was zum flangen:


Das Flanger-Plug-in Liquid aus dem Hause Audio Damage erzeugt seinen Effekt nicht bloß durch eine kurze Verzögerung des Effekt-Signals, sondern bildet den original Flanging-Effekt auf Basis zweier Bandmaschinen nach.

Auf diese Weise entsteht ein wesentlich subtilerer Effekt, der sich in geringer Dosierung sehr gut zum „Andicken“ von Monosignalen eignet. Bei stärkerem Einsatz sind aber auch kräftige Flanging-Effekte bis hin zur völligen Verfremdung möglich.

Liquid liegt für die VST- und AU-Schnittstelle vor und läuft sowohl unter Windows als auch unter Mac OS X. Das Plug-in ist ab sofort zum Preis von 29 US-Dollar im Webshop von Audio Damage erhältlich. (AW) Webverweise: www.audiodamage.com

quelle: beat.de

Live Performer sollten sich das Teil mal anschaun:





Artillery ist ein Multi Effekt.
Die Effekte werden auf Keyboardzonen verteilt und per Midi dem Audio Signal zugeschaltet.
Universal Modulator
Jeder Parameter hat seine eigene Modulationssektion mit LFO, Stepsequencer, AHDSR Envelope und Envelope Follower.


Key Track
Die Position der Note innerhalb der Zone kann Effektparameter beeinflussen.


Mix Envelope
Jeder Effekt besitzt eine ASR Envelope zur Kontrolle des Dry/Wet Verhältnisses.


Sugar Bytes´ Effektschlachtschiff Artillery kommt nun endlich in Version 2. Jetzt als VST/AU für Intelmac, PPC und Windows.
Effekte werden durch Keyboard-Zonen bedient und das jetzt noch intuitiver und flexibler. So sind nun 28 Effekte enthalten, darunter innovative Algorithmen wie Step Looper, Reverser, ein Turntable Effekt zum Bremsen und Beschleunigen des Audiosignals, ein Karaoke Effekt oder der mit Noten spielbare Tonal Resonator.


Das flexible Modulationssystem mit Keytrack und komplettem Universal Modulator pro Parameter und die konsequente Integration von MIDI und Host Sync machen Artillery 2 zum Soundlabor der unbegrenzten Möglichkeiten.

Neu in 2.0.1:
- FX Level: Level Control pro Effekt

Verbesserungen in 2.0.1:
- Nutzung von Programchanges verbessert
- Sync Dumper verbessert
- Total Recall verbessert
- Nötige Bugfixes

Fakten:
28 Effekte
200 Presets
Unendliche Effektkombinationen
Universal Modulator pro Parameter
VST und AU Support

Erleben sie die Vielfalt und die Möglichkeiten Die Artillery2 Ihnen bietet und probieren sie jetzt die Demoversion.




Lesen Sie einen ersten Review auf Gearwire.com!




Die Features:

200 Presets
28 Innovative High Quality Effekte
FX Activation via Midi in Toggle und Gate mode
Realtime Key Quantisation
Universal Modulator pro Parameter
Jeder Effekt besitzt eine Dry/Wet Envelope
Volle Integration von Midi und Host Automation

Screenshot

Demo Version

Schnittstellen:

- MAC PPC, Intel: VST / AU
- WIN XP, VISTA: VST

Wer das noch nicht kennt, unbedingt mal antesten! gate und effeckteinheit in einem

kann ein Pad, synth.. ordentlich nach vorn bringen!

http://www.camelaudio.com/camelspace.php

Prepare to be entranced! CamelSpace can take any sound you throw at it – be it a pad, a synth line or a drum loop – and generate a dizzying array of dynamically-evolving, gated rhythmic textures.

An enormously powerful 128-step 'trance gate' sequencer controls panning, filter cut-off and volume, while independent LFOs provide still more mind-boggling modulation options.


A tempo-synced stereo delay and powerful auto-panner ensure that your sounds are always on the move, while an enhancer (with 'Xcita' and soft saturation), a flanger and a high-quality reverb all add 'sparkle'.

A stunning graphical user interface puts all the controls at your fingertips, while the X/Y pad allows easy real-time manipulation of the most important parameters.

With the intelligent 'Randomize' button, new sounds and inspiration are just a click away. 128 attention-grabbing presets, organised by category, are also included. Find out more in the easy-to-read manual.

Feature highlights:

Rhythmic multi-effect, to add dynamic interest to pads, synths, drums and more. <li>Powerful 128-step 'trance gate' controlling filter cut-off, pan and volume. <li>Auto-panner, enhancer, flanger, multi-mode filter, stereo delay, reverb. <li>Easy-to-use, with X/Y pad and intelligent Randomize. <li>128 categorised presets.

System requirements:

PC Pentium III, Windows ME/2000/XP, VST host.
Mac Intel or G4 (Universal Binary), Mac OS X 10.3.9 or later, VST/ Audio Units host.



und das hier:






CamelPhat is the ultimate phattening processor! A powerful 'colouring' multi-effect that's been specially engineered to work wonders on guitar, bass and drums, adding warmth, punch and presence wherever they're required.

Four characteristically different distortion effects are included, which can be used separately or blended together to create an endless variety of tones.
The unique 'Magic EQ' enhances the low end like nothing else – it's the perfect kick drum sweetener! Add to that an easy-to-use analogue-modelled compressor, three resonant filters, two LFOs and an envelope follower, and you've got one seriously phat package!

A stunning graphical user interface puts all the controls at your fingertips, while the X/Y pad allows easy real-time manipulation of the most important parameters.

With the intelligent 'Randomize' button, new sounds and inspiration are just a click away. 128 attention-grabbing presets, organised by category, are also included. Find out more in the easy-to-read manual.

Feature highlights:

'Phattening' multi-effect, great for punchy drums, bass and lots more. <li>Four distortion modules; warm and soft to crunchy and fat. <li>Magic EQ, compressor, three filters, two LFOs, envelope follower. <li>Easy-to-use, with X/Y pad and intelligent Randomize. <li>128 categorised presets.

System requirements:

PC Pentium III, Windows ME/2000/XP, VST host.
Mac Intel or G4 (Universal Binary), Mac OS X 10.3.9 or later, VST/Audio Units host.

*hehe* schau cool aus, die teile. das einzige, das ich kenne ist das FabFilter Volcano. da kann man echt schräge sachen anstellen ^^

sonalksis hat auch super sachen am start:



der dritte im bunde ist zwar ein compressor (the black one), das silberne teil ist ein bitcrusher (really nasty) und das goldene geräte ist ein filter (welches meiner meinung nach schön weich klingt )

Der Klang vom TBK und die Funktionen vom Volcano ... das wär´s!

check den volcano 2.... der klingt schon satter als der sonalskiss! vorallem das routing ist fett fett fett!!!!

ich kenne nur den camelphat u space..

neben glitch ein durchaus intressantes plugin hier um nette stotter effeckte zu realisieren:





Disturbance v1.0 .1
Loop & sample mangling, glitching, randomizing

Overview:
Disturbance is primarily intended for the glitching/mangling of drum loops but it can also be useful with melodic material, vocals, and pretty much anything else you want to get glitchy with.

Disturbance is similar to a slicer, but a bit different. It works by chopping up a loop into 64 equal parts (no beat detection), then sequencing their playback, and each slice in Disturbance has its own loop point.

In addition to offering several playback order options, Disturbance also offers sequenced filtering, distortion, pitch shifting, and slice length adjustment...as well as various playback randomizations, dual delays, and non sequenced pitch shifting which can even be set to track MIDI note input, allowing you to turn anything you feed into Disturbance into a synth oscillator.

Disturbance can be used to create subtle or standard variations and effects, or it can warp your source material into something completely new. You can even adjust the start and end points of the sequencer to help you create odd time signature loops.

Additionally, you can even turn off the clock and use your Modulation wheel (CC1) to move forwards and backwards through the loop, almost like a wavetable.

Sequencer related features:

- Slice length reduction
- Filter cutoff (low or high pass filtering)
- Pitch shifting
- Dirt (distortion + downsampling + filtering)
- Slice reverse
- Random slice
- 4 sequencer direction options
- Mod wheel control over playback
- Sequencer jitter effect
- Host BPM sync or internal clock
- Sequencer start/end point adjustment

Additional features:
- Built in file browser
- Dual Delay
- Velocity sensitivity
- Pitch Shifter with the option of fixed (non-sequenced) setttings, MIDI note tracking, and portamento.
- 32 example presets to get you started

Copy Protection: None!
I prefer to not annoy my customers with ineffective and intrusive copy protection methods that would still get cracked and that warez users never see anyway. Instead I'd rather that my customers enjoy a more comfortable and easy installation experience.

Please do not distribute or give away your copy though. If your friend wants a copy, encourage them to buy their own. I try to keep my prices low so that my VSTs will be affordable to the majority of computer musicians.

Installation
You just have to unzip a single folder into your VST directory and you're done. That's it. No annoying installers or registrations.

License Transfers Allowed
If you find that you are no longer getting much use out of your purchase, you can transfer your license to someone else. Just let me know who it is going to so that the new owner can receive updates and support.


Video: http://www.ugoaudio.com/video/DisturbanceV...-Large-SWF.html


More Infos: http://www.ugoaudio.com/

hier auch ein durchaus nettes tool:





http://www.sugar-bytes.com/content/product...ex.php?lang=de#

auch intressant und immer gut zu gebrauchen das hier:



http://www.sugar-bytes.com/content/product...dex.php?lang=de

sehr intressantes kreativ tool hier:

das klasse plugin darf nat. nicht fehlen:



more infos + demo: http://www.d16.pl/index.php?menu=183

feine filter plugins für rythmische effeckte




http://www.soundtoys.com/products/index.php

Soundtoys haben die besten Filter und Delay Plugins die ich je gehört habe, wenn man auf analogen Sound steht!

Wie erzeugt man denn diese Reverse Effekte, bei denen der Track auf einmal so klingt als würde er rückwärts gespult werden?

meinst warscheindlich eine reverse kick, cymbal usw.

original samples hernehmen und mit deinem sequenzer per reverse funktion bearbeiten, sollte eigentlich schon so ziemlich jeder sequenzer haben

Alternativ kannst du auch tools wie Glitch hernehmen




und hier der allseits beliebte Reverse Vocal Effeckt mit Reverb:

thx ich probier das mal..