12.1.2010 TEMP GOES CRAZY , Flex, Wien Einstellungen

[soundfreak]

Gewinnspiel:

3 x 2 Karten

[Moxx]

Fixtermin

[DjScirox]

bin ich auch fix dabei!
sein album why can't we be like us liebe ich!

[Crazy Sonic]

Ich hoffe, die Jännerdepression schlägt nicht voll ein und durch....

[irradiation]

bruno pronsato - bio
With his heady, intricately woven tracks and ominously funky live performances, Bruno Pronsato is one of techno's most
intriguing artists. His sound is full of contradictions: abstract but organic, sexy but drab, and though most of his records
could easily stir a dance floor, they exist purely for themselves, never compromised for club potential. In music, as in
life, Bruno likes to get weird, and the suspense that permeates his music often earns him the title of 'minimal." But it's
the deeply emotional moments, the warm, amber tones of tracks like 'What We Wish," 'At Home I'm a Tourist"
and 'The Make Up The Break Up", that point to Bruno's true objective: as he blurted out to an Italian journalist
last year, 'I just want to make romantic techno."

In 2006, Bruno moved from Seattle to Berlin to do techno full time, and it wasn't long before he made a name for
himself. His debut 12" was released in 2003 on Orac, a Kompakt distributed label, and was followed the next year by a
full-length album, Silver Cities. Soon Bruno had the attention of labels like Philpot and Musique Risquée, both of whom
released Bruno's next EP's. By 2005, Bruno's live performance—an unusually nimble and improvisatory
act—began receiving praise from XLR8R, The Wire, and dozens of underground European zines. It also piqued the
interest of Ricardo Villalobos and Perlon boss Zip, who invited Bruno to play in their laptop super-group, Narod Nikki.
Around this time, Bruno formed a duo with Sammy Dee called Half Hawaii. The pair played at nightclubs around Europe
and international festivals like Mutek, and released two slick minimal records on Perlon and Hello? Repeat. But Bruno's
real breakthrough came in 2007 when he released Why Can't We Be Like Us, a strange and beautiful album that
received a '5/5" from Resident Advisor and endless accolades throughout the blogosphere. This secured Bruno's
position as one of techno's most imaginative and virtuosic artists, a reputation he easily maintained with his next two
releases: the weird and sultry Where'd You Learn to Kiss That Way on Hello? Repeat, and Take 1/ Take 2, a jazz-infected
house jam he did with Daze Maxim, under the name Others.

In 2009, Bruno started his own label, thesongsays. It was partly a matter of necessity; he needed an imprint for his most
ambitious work yet, a 38-minute epic called The Make Up The Break Up, so he decided to simply release it himself.
Possibly his best work to date, The Make Up The Break Up received a deluge of praise upon its release, including
another '5/5" from Resident Advisor. Later that year, thesongsays released its second record, a debut EP called What
I've Lost by Benoit & Sergio. Dripping with half-ironic romantic sentiment, What I've Lost is a daringly unfashionable EP
that, perhaps even more than his own tracks, reveals Bruno for who he truly is: a post-punk inspired techno artist that
loves staying up all night, sipping whiskey with his pinky crooked.

[Crazy Sonic]

Wetter passt, also, auf auf!!

[jklö karl]

fettestes booking! bruno live ist der oberburner. vor allem auf der anlage... wollt ich schon lange dort hören. leider bin ich nicht wien. müsst ihr das auch dienstag machen. damn it. (IMG:style_emoticons/default/sneaky2.gif)

[dj AcidGreen/Aci...]

na vielleicht schau ich auch vorbei (IMG:style_emoticons/default/wink.gif) )

[DjScirox]

bruno pronsato war wirklich große klasse! wirklich sehr interessanter und abwechslungsreicher live act. die drumpatterns und drums generell waren so interesant gestaltet und programiert und haben auch verdammt fett durch seine jomox 888 geklungen aber auch das restliche material aus seinem rechner hat sehr gut und erdig geklungen. wirklich sehr schönes liveset!
warm up (dj) war eher eine niete, hat zwar teils interessante nummern gespielt, jedoch kann ich nicht nachvollziehen wie mann es schaffen kann übergänge so dermassen zu verhauen. vorallem wenn alles auseinader läuft vom tempo und schon wirklich total schlecht klingt, er nicht schnell eine nummer rausnimmt, vorallem als digital dj könnt er solche argen fehler ja sogar mit effekten wie hall oder delay verstecken. und wenn man rein digital spielt über den lap top warum dann nicht mit auto beat und immer nur eine nummer. digital kann man so viel machen! bei einem dj der auf vinyl spielt hätt ichs noch eher verstanden, dass das tempo manchmal nicht 100% passt aber da kann ichs nicht verstehn. Die Nummern haben auch klanglich nicht besonders gut aufeinader gepasst!
Bruno war aber spitze!

[Moxx]

Ich schließe mich dem Post vor mir an. Ein wirklich interessanter Live Act, der Bruno Pronsato. Hat mir gefallen!