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> 30.4.2008 Suncity with Carl Craig, Deetron, Dom im Berg, Graz
Kalendereintrag

Suncity with Carl Craig, Deetron (öffentliches Ereignis)

Datum des Ereignisses: 30. 4. 2008 (Einmaliges Ereignis)
Suncity with Carl Craig, Deetron
LineUP Carl Craig [planet-e, Detroit, USA]
Deetron [Music Man, Zürich, CH]
Bruce Logan [Truesoul, Luxaflex , Moll Rec., Malmö]

warm up by Hard Pete [Scheiterhaufen, Salzburg]
Live: La Linea [Shellbeach, Graz]
Visuals by Herwig Baumgartner [Exclusive Lingerie, Graz]


Afterhour: 05:00h Dom im Berg 2nd Floor hosted by Shellbeach
Specials/Infos - Gewinnspiel (siehe unten)
Entry VVK EUR 14.-- (spark7 EUR 12.--), AK EUR 16.--
Styles
Location Dom im Berg
Schloßbergplatz
8010 Graz
Distance um die Entfernung zu berechnen bitte Postleitzahl in deinem Profil eingeben
Routenplaner Größere Kartenansicht/Routenplaner
Flyer
     
sonstiges Gewinnspiel:

2 x 2 Karten


Vorverkauf: Zentralkartenbüro, bei allen Ö-Ticket Vorverkaufsstellen (www.oeticket.com)
Inandout Records, Dux Records und in allen Filialen der Steiermärkischen Sparkassen (spark7 Ermäßigung)
Ticketpreis: VVK EUR 14.-- (spark7 EUR 12.--), AK EUR 16.--

Online Kartenreservierung zum günstigen VVK Preis von EUR 14.-- unter [email protected]
Reservierte Karten werden an der Abendkasse hinterlegt. Reservierungen können nur bis 12 Stunden vor Veranstaltungsbeginn bearbeitet werden.


Info:
www.zeiger.com
www.springfestival.at
www.ebl.cc

---------------------

Ab 21:00h
springeight graz Programmpräsentation

21:30h Eintritt frei. (One Way Ticket!)

MUUUUUUUHHH!
Kaum sprießen die ersten Blümchen, kaum füllen sich die Wiesen mit sattem Grün, kaum zeigt man wieder Haut und Bein, kaum riecht’s nach durchgemachten Nächten, ist’s sogar den Wiederkäuern klar: Vom 21. - 25. Mai geht das springfestival in seine nächste Runde! Mit noch mehr fantastischen Acts zwischen Techno, Electro, House, Hip Hop, Drum’n’Bass und Minimal, mit einem sensationellen Eröffnungskonzert, über das in fünf Jahren auch in Berlin noch geredet werden wird, mit Vorträgen, einer Synthesizerausstellung und einer Voarb-Party in London, mit einer unfassbar coolen Crowd aus Hipstern, Partysanen, Emo-Kids, Freaks und Musik-Nerds, die springeight zu dem machen werden, was es immer schon war und auch in Zukunft bleiben wird: Ein Festival zwischen Mainstream und Kunst, zwischen Party und (Mehr-)Wissen, immer Cutting Edge und immer mit Funk und Seele.
S8 – wo das Gras grüner wächst!
www.springfestival.at
www.springeight.at


Ab 22:00h
Suncity

Nach langer Abstinenz gibt es endlich wieder Suncity, DIE Tanzveranstaltung für gerade Beats in Graz! Nach den Ausflügen in die Helmut-List-Halle diesmal wieder in der schönsten Location Österreichs, dem Dom im Berg. Suncity 2008 bietet ein handverlesenen Line Up, feine Beats, wohltuende Sounds und exklusive Visuals.

Mit Carl Craig wird einer der absoluten Superstars der Detroiter Techno-Schule sein Suncity-Debut geben. Vielen ist er noch durch seine sensationellen DJ- bzw. Live Sets im Rahmen von springsix und springseven bestens in Erinnerung.

Die Veröffentlichungen von Carl Craig mit Worten zu fassen stellt eine spezielle Herausforderung dar. Wie kaum ein zweiter Produzent aus Detroit verkörpert Craig den futuristischen Geist, den Techno seit seiner Geburt zu verkörpern sucht. Carl Craigs Tracks vereinen eine beispiellose musikalische Kreativität gepaart mit einer stilistischen Vielfalt, die sie weit über die Elektronik-Szene hinaus zum Bezugspunkt für Musiker der unterschiedlichsten Genres machen.
Soeben ist auf dem Label k7 die sensationelle, von Carl Craig gemixte CD ’CARL CRAIG SESSIONS’ erschienen. Eine Werkschau seiner besten Arbeiten der letzten Jahre. Wie auf der CD wird Carl Craig für dieses Suncity Special seine aktuellen Lieblingstunes, eigene Remixe und Techno-Klassiker der letzten 20 Jahre auf die Turntables legen.
Eine würdige Jubiläumsausgabe, soviel ist schon gewiss, bevor der erste Bassdrum-Kick den Takt des Abends vorgibt. Schließlich gilt Craig nicht zu Unrecht als der genialste Musiker unter allen Techno-Produzenten und als einer der besten DJs auf dem Globus.

Tatkräftig unterstützt wird Carl Craig von Sam Geiser, besser bekannt unter seinem Alias Deetron, langjähriger Resident im Zürcher Traditionsclub Rohstofflager, gefragter DJ und hoffungsvoller Produzent mit zahlreichen Releases auf Intec, Phont und Music Man.
Dieser hat mit seinem aktuellen Release ’Twisted’ gerade seine Reifeprüfung als Produzent abgelegt, mit Erfolg, wie die elf Tracks des Albums eindrucksvoll zeigen.



Carl Craig
www.planet-e.net
www.demon-days.com
www.myspace.com/carlcraig

A history of Carl Craig
There are DJs who grab bigger headlines, and producers who invite more press. In the ebb and flow of what's popular in electronic music, there are those who have larger followings or whose names are on more bloggers' fingertips at any given moment in time. But no artist in the genre commands as much respect, from fans and peers alike, as consistently and influentially as Detroit-based DJ and producer CARL CRAIG. As an artist, a label-owner and club DJ, he is one of the few who has literally helped shape the sound of modern electronic music, with an inventive career that has spanned 18 years.

Recording under his own name and many aliases – including 69, Psyche, BFC, Paperclip People, Innerzone Orchestra, C2, Tres Demented and others – Craig owns a constellation of seminal recordings that have established him as an icon in the techno genre. He came of age as part of its ‘second generation,’ learning from the trio of pioneers credited with techno’s invention: Derrick May, Juan Atkins and Kevin Saunderson. Though the genre has exploded in recent years, Craig’s role as a producer, DJ and ambassador for the music remains as vital as ever. He continues to spin around the world, from intimate venues in San Francisco and New York to large festivals in Detroit, Tokyo and Berlin. His new tracks and remixes have become contemporary dancefloor staples. In September 2005, he launched a new party with collaborator Gamall Awad called "Demon Days – An Official Planet E Selection" as a way to steward techno around the country with fun, one-off gigs. "There is no set game plan for the parties except to have a good time, to party like its 1999," describes Craig.

Craig’s musical history begins as a teenager living in Detroit, the son of a teacher and a post office worker. He was fully aware of the Motor City's cultural heritage, a blue-collar city with often restricted, blue-collar ideals. Detroit was a once-glorious metropolis but in the time Craig was raised there, the city had started to crumble in the wake of the auto industry's decline. "I don't want to paint a horrible picture of Detroit because it is my home and is beautiful to me," he says. "But Detroit is not a cosmopolitan place and in a lot of ways, we were very aware of its absence of ambition growing up." That awareness reflected in the new music emanating from Detroit. As house music spread from Chicago , Craig's musical predecessors – May, Atkins, Saunderson – put a futuristic spin on it, and it eventually evolved into the genre known as techno. There was an intrinsic irony to imaginative, future-forward music coming from such a dilapidated urban center. As Craig explains, "The music embodied this idea of hope for the future; we could only look ahead."

The musical incubator Craig was reared in was a mixture of old and new, black and white. Against the background of Detroit's rich, magical history of soul music, most markedly with Motown and George Clinton, Craig developed a deep love of the music of Prince (from Minneapolis), new wave (B-52s, Kraftwerk, Art of Noise) and early west coast hip-hop (Ice T). As a young teenager, he played in different bands that would perform on the local cabaret circuit. In 1986, his cousin, Doug, co-wrote a song with Juan Atkins, under the name Channel One, called "Technicolor," and that was Craig's introduction to the world of synthesizers and techno's creators. "That was the first time I was able to touch a synthesizer and really play around with it," he remembers. "It opened up so many ideas for me." Craig's curiosity for how that music was made took flight.

His first composition, under the moniker Psyche, was the song called "Elements," which debuted on the UK compilation, Techno2, in 1989 and shortly thereafter on Derrick May's Transmat Records. Over the next year and a half, Craig would release several songs under the names Psyche and BFC, for Transmat and its sub-label, Fragile, regarded today, unabashedly, as techno classics: "Neurotic Behavior," "Crackdown," "Chicken Noodle Soup," "Please Stand By" and others. (The recordings are collected on the 1996 Planet E compilation, Elements 1989 – 1990). Craig was an assistant engineer for May and worked with him in both Detroit and London, a willful apprentice to his musical mentor, co-writing and co-producing some of May's memorable Rhythim Is Rhythim sessions, including work on the classic single, "Strings Of Life 89."

Craig soon forged out on his own, partnering with a friend to create the record label, Retroactive, that was home to early releases such as his 1991 EP, No More Words (and its breakout track, "Wrap Me In Its Arms"), and the first Paperclip People single, "Oscillator," which clearly introduced that alias as his dance-floor project. The influence his many singles had on the genre was majestic, both in underground clubs in the United States and in the burgeoning electronic music culture of Europe.

With a platform to release his own records, Retroactive would also be home to records from Underground Resistance, A Guy Called Gerald (under the alias Inertia), John Beltran (under the name Open House), MK and others. A year later, though, Craig would disband the short-lived venture to create another label entirely on his own, Planet E Communications. Based in Detroit and run by his cousin, Planet E quickly became one of the more significant independent labels in electronic music, aided of course by Carl's own releases. Planet E’s roster includes influential recordings by artists like Moodymann, Recloose, Alton Miller, Kevin Saunderson and several others.

One of the first releases on the label was under Craig's 69 alias, "4 Jazz Funk Classics" EP (the title is an ode to early electronic experimentalists, Throbbing Gristle). The 69 (pronounced “six-nine”) name was Carl's avenue for more experimental techno sounds, and it was clear that even early in his career, Craig was demonstrating an explorer's curiosity of how the language of techno could articulate itself in various fashions. His different aliases then – as now – play into that idea, courageously battling against the ideas of monolithic identity and "branding." If one were to compile a master catalog of Carl Craig's tracks, they would need to sort through an assemblage of different 12"s and CDs spread across a diverse number of labels in the United States, Europe and Japan.

In 1992, using the name Innerzone Orchestra, Craig released another single, "Bug In The Bassbin," which not only remains one of his most groundbreaking singles but also is widely regarded as a progenitor to the drum 'n bass subgenre that developed out of the UK in the mid-1990s. Experimenting with rhythms and syncopation and, to some extent, the hypnotic improvisation of jazz, the song opened up the possibilities of what constituted dance music in the UK, and many of drum 'n bass' christening artists (e.g., 4Hero, Goldie and J Majik), cite the track as an early influence.

This was the beginning of a prolific run for Craig, his label and his impact. In 1994 he would resurrect the Paperclip People moniker for a string of 12"s over the next few years that absolutely destroyed the clubs, like "Throw," "The Climax," and "The Floor." In 1996, the Paperclip People singles and its b-sides and extra tracks would be compiled into the album, The Secret Tapes of Dr. Eich. These tracks still resonate with people today, including other musicians. For example, James Murphy and his band LCD Soundsystem regularly perform a live-band version of "Throw" to close out their sets.

In 1995, Craig would try his hand at something larger than 12" singles and EPs – an album. Of course, he had a concept in mind. Landcruising was released initially in Europe (on the Blanco Y Negro label, also home at the time to the Jesus & Mary Chain), and Craig framed the long player as a sonic tour of Detroit, with all of its intensity, direness, urbanity and beauty. Playing with a more expansive format, Craig stepped away from a strictly techno sound, and used the album's tracks to explore his more ambient and compositional influences, such as those of Kraftwerk, Tangerine Dream and film composer Ennio Morricone. Since that debut album, Craig has released several more, each with its own signature sound. More Songs About Food and Revolutionary Art, released in 1997, opted for a more techno-soul style, a statement by Craig that music made from machines could also still move people emotionally.

There are also the mix-CDs released throughout his career, which Craig has used to document his tastes and style at any particular moment, notably: a session for the DJ Kicks series (1996), House Party 013 – a Planet E Mix (1999), a session for the Abstractfunktheory series (2001), a mix titled Onsumothasheeat (2002), Fabric 25 (2005) and a Kings Of Techno double-disc (2006) with Laurent Garnier playing mixing music from Detroit on one disc and Craig mixing his favorite European techno on a second disc.

In 1995, a new label founded by James Lavelle called Mo' Wax would reissue Craig's "Bug in the Bassbin" single, and its reception by a new generation of beat-heads overseas would open the door for Craig to resurrect the Innerzone Orchestra alias. This time, though, he assembled a trio – and later a group – for both improvised live and studio sessions. That group would include percussionist Francisco Mora (Sun Ra Arkestra), pianist Craig Taborn (James Carter Quartet), Recloose (producer and DJ who had recently signed to Planet E), and a local MC, Lacksidaisycal (later called, Lacks). The resulting album, Programmed, met with more critical acclaim than commercial acceptance, but its explorations into techno-influenced jazz recordings, film scores and old soul signaled Craig's thirst to push the boundaries and make an impact on music beyond the genre of techno.

Craig has often been fascinated with the complex relationship between live and programmed music. In 2003, he would participate in a project titled The Detroit Experiment, a studio collaboration between Craig and Detroit-based jazz players like Mora, trumpeter Marcus Belgrave, reedist Bennie Maupin, pianist Geri Allen, producer/vocalist Amp Fiddler and several Motown session players. In 2007, Craig released a single, Paris Live, that features versions of "Twilight" and Craig's classic "At Les" performed live with a band: Detroit jazz musicians Wendell Harrison (clarinet, saxophone) and Kelvin Sholar (pianist) and Underground Resistance head Mad Mike Banks (keyboard).The same year he recorded Paris Live, Craig also participated in Narodniki (Russian for "amongst friends"), a techno laptop supergroup that also featured Richie Hawtin, Luciano, Ricardo Villalobos, Basic Channel and others performing live for an adoring dancing public at the Montreaux Jazz Festival.

A parallel history to Craig's role as a producer and DJ is that of his role as a remixer. Throughout his career, Craig has authored over a hundred remixes, for a wide range of artists all over the world. For Craig, the "remix" is a chance to reinterpret a song from the ground up. Early Craig remixes quickly established him as a premiere producer for those artists who desired an underground club hit, yet Craig reciprocated by making his remixes entirely new tracks that hold their own alongside his original compositions. Classic remixes from Craig include those for Tori Amos ("God"), Ron Trent ("Altered States"), Inner City ("Good Life"), United Future Organization ("Planet Plan"), and Incognito ("Out of the Storm"). He would also remix Dee-lite ("Heart Be Still"), Depeche Mode ("Useless"), Hugh Masekela ("The Boy's Doing It"), The Congos ("Congo Music"), Delia Gonzalez & Gavin Russom (“Revelee”), Theo Parrish (“Faling Up”), and artists on his own Planet E roster (e.g., Todd Sines, Recloose). Many of his most memorable remixes would be compiled on the 2000 release, Designer Music Vol. 1.

Recently, Craig emerged with a slew of new remixes that could soon be considered classics, such as for LCD Soundsystem (“Sound of Silver”), Faze Action (“In The Trees”), Goldfrapp (“Fly Me Away”) and Tony Allen (“Kilode”). In 2007, the unbelievable happened: Craig was nominated for a Grammy for his remix of “Like A Child” from the Junior Boys. It was perhaps the most forward-thinking honor that the establishment had bestowed.

In 2000, with his status as a music innovator, as well as a hometown hero of Detroit, firmly established, Craig spearheaded the largest public venture for techno music in the United States (and one of the largest in the world), when he helped launch the Detroit Electronic Music Festival. Craig worked with civic leaders and the music community to organize the free public music gathering and book its artists for its first two years, which drew an estimated 2 million combined people. Though the festival suffered through political upheaval after 2001 in which Craig removed himself of any further involvement, the festival – and more importantly, the idea – remains an annual event.

What has characterized Craig's career is a passion for the music of techno and for the people who make it; for the social and cultural forces that underscore people's appreciation for music and a constant hunger for pushing the limits of what music and its role in life can be. That continues today as Craig is currently following several artistic narratives he's developed throughout his career. He is in the studio – a new home studio he built – working on a new album.

He also recently brought together the original members of the Tribe Records collective – Marcus Belgrave, Wendell Harrison, Phil Ranelin, Doug Hammond, among them – for a brand new recording under his auspices. The Tribe collective was a Detroit-based political and cultural collective in the 1960s and '70s, and Craig's work with them is one of his most proud musical achievements.

Those recordings will be released on a new sub-label of Planet E called Community Projects in summer 2008. Craig had previously launched another sub-label of Planet E called Antidote, which focused on hip-hop artists from in and around Detroit. Written by Joseph Patel. December 2007.


Deetron
www.deetron.com
www.myspace.com/deetronofficial

DEETRON BIOGRAPHY
Over recent years, Sam Geiser aka Deetron has emerged as a rising star in the Techno world. His popularity as a Producer has flourished in tandem with his reputation as a dynamic three-deck DJ, and as the latter discipline propelled him across the globe, his work for a growing roster of record labels further cemented his position as a genuine talent within the International scene. His list of musical achievements stretch back to the early nineties – and on paper it makes for quite an impressive body of work.

Born in Bern, Switzerland, Music was a constant in the Geiser family home. Sam’s father’s activities as a jazz musician ensured that he was surrounded by music from a very early age, sewing the seeds of his own musical interests. But it was Hip-Hop that encouraged this to flourish into an active involvement in music, during his teens. Sam soaked-up the music of Gangstarr, A Tribe Called Quest, and Prince Paul like a sponge, and was quick to realise the role of the turntable within this context, taking up DJing in 1992.

Early Hip-House producers, such as Todd Terry, also captured his attention, and Sam began to make the transition to more 4/4 orientated sounds – picking up on the now classic output of Chicago and Detroit-based electronic musicians and introducing this into the sets he was, by now, playing around his home town, and further afield in Switzerland.

This led, in 1994, to his first big break – securing a residency at Zurich’s reputed club, Trax at the Rohstofflager. Once reaching this position, Sam felt it was time to make his own forays into music production and began building a studio, drawing on his experience as a DJ to create his own tracks. A meeting with Stefan Reisen, head of the fledgling Phont music, led to the release of Deetron’s first single – as Soulmate, in 1997.

Things snowballed from there. Geiser’s production activity put him on the map, which in turn assisted the growth of his DJ profile. A trip to Japan led to a collaboration with DJ Shufflemaster (again, for Phont), and pretty soon the requests from other labels began to come in. During the late nineties, his work for other labels saw Deetron finding his audience (including a string of International club jocks) and developing his own sound. In later years, Sam’s production touch has graced labels including Cosmic (as Karakter), Ongaku (the ‘Lorraine EP’) and SLS. In addition, he received a deluge of remix requests – resulting in work for Samuel L. Session, Ben Sims, Damon Wild, Steve Bicknell (as Karakter), K-Alexy Shelby, Orlando Voorn, Paul Mac and others.

Possible the most fruitful partnership of his career so far is that with Belgium’s Music Man label. Beginning with the ‘Dolls For a Diva’ 12” in 2001, and including several more 12”s and a superb mix CD that acts as ample testament to Sam’s skills behind the turntables.

Geiser has come a long way in a relatively short period of time, but it’s no fluke ascension given his considerable talent and hard work. What’s more, he shows no sign of flagging. Whilst 2003 has been a very busy year, with extensive worldwide DJ dates, singles for Music Man and Intec, and high profile remixes for Ennio Morricone, Victor Simonelli, Gary Martin, and Mark Broom, 2004 and 2005 have taken his DJ-schedule to yet another level and he released the massive “Miss Suave EP” on Intec in 2004 as well as “The floor jackin’ theory” on Music Man in 2005. Furthermore he remixed Funk D’Void, Joris Voorn, Smith & Selway and Detroit Grand Pubahs to name but a few.

Deetron's debut full length Album“Twisted” released in October 2006 has proved to be his biggest musical achievement to date and can be seen as a milestone in his career. The release gained praise from press and key figures of different genres alike, ranging from Gilles Peterson to Sven Väth, Laurent Garnier, Osunlade and Âme, to name but a few. The first two singles taken from “Twisted” - “Isotope EP” and “The Afterlife” - instantly took off and are still on heavy rotation. Furthermore the success of the Album led to an extensive worldwide DJ-Tour which has taken him to major clubs and events like I love Techno 2006, Berghain (Berlin), Fabric (London), Florida 135 (Fraga), Cocoon (Frankfurt), Rex (Paris).

2007 kicks off with the release of the third single taken from “Twisted”, called “Life Soundtrack” in Spring, which includes re-interpretations from Redshape, Radioslave and Rejected. With upcoming remixes for Legowelt, Shinedoe, Guy Gerber & Gregor Tresher, Bob Sinclar and Voom:Voom as well as an ongoing hectic DJ-Schedule, the new year is looking bright for all things Deetron.
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Filip(p lay)ne
Beitrag 6 Mar 2008, 22:20
Beitrag #1


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... stimmt, der 1.Mai ist ja Feiertag! Hab eigentlich gedacht es wär am 12.April.

Carl Craig und vor allem Deetron (IMG:style_emoticons/default/inlove.gif) vom ALLER_ALLERFEINSTEN!!! Freu mich schon!
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saftpackerl
Beitrag 7 Mar 2008, 06:11
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swing 65 %
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wow!!!

das is ein absoluter pflichttermin!!
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Mr T.
Beitrag 7 Mar 2008, 06:22
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I pity the fool
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Fettes Booking. (IMG:style_emoticons/default/thumbs-up.gif)
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caTekk
Beitrag 7 Mar 2008, 12:46
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Flex Schallplatten
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Die Suncity ist zurück .... sehr fein! (IMG:style_emoticons/default/hehe.gif)
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Billie Jean
Beitrag 7 Mar 2008, 12:57
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ENFANT TERRIBLE
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schön...mr. carl craig!
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Lady B.
Beitrag 7 Mar 2008, 13:01
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.:[SOUNDFORCE EDITIONS]:.
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Also am 30.04. weiss ich GENAU wo ich bin.... (IMG:style_emoticons/default/wink.gif)
Suncity is back, schöner feiern mit EBL - zum aus da Haut foahrn.... *ggg* (IMG:style_emoticons/default/hehe.gif)
Freu mich die Truppe wieder mal alle auf an Haufen zu sehen, da wird maschiert, fein fein. (IMG:style_emoticons/default/wink.gif)

Cheers Lady (IMG:style_emoticons/default/cheesy.gif)
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der_Schneidermei...
Beitrag 7 Mar 2008, 14:25
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"life is too short, so take it easy?!"
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leider zum ersten mal das ich eine versäume (IMG:style_emoticons/default/sad.gif)
doch chris und duz mögen mir verzeihen....
wünsch euch ganz viel spass.....der dom wird sicher wieder kochen!!!

Der Beitrag wurde von GK bearbeitet: 7 Mar 2008, 14:25
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henry.bootz
Beitrag 8 Mar 2008, 13:33
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carl craig......na bitte (IMG:style_emoticons/default/biggrin.gif)
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Mysterio
Beitrag 8 Mar 2008, 14:57
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99% of EDM sucks!
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Grml... Craig und Deetron... und ich hab schon A'dam gebucht. (IMG:style_emoticons/default/confused.gif)
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Padre El Ferenco
Beitrag 8 Mar 2008, 19:42
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Hardcoreposter
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da sollten wir auch wiedermal an den start gehen bianca... !!!! (IMG:style_emoticons/default/wink.gif) :D

ACHTUNG wild wirds... (IMG:style_emoticons/default/wink.gif)


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g.
Beitrag 10 Mar 2008, 19:25
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es ist mir wie immer eine ehre, dabei zu sein.... deetron & vor allem craig sind sehr gut, letzteren hab ich noch vom nachtdigital in bester erinnerung.

(IMG:style_emoticons/default/thumbs-up.gif)

die EDITH: hat in der TAZ einen scheönen artikel über carl craig gefunden: klick!

Der Beitrag wurde von g. bearbeitet: 11 Mar 2008, 15:17
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Moi
Beitrag 13 Mar 2008, 19:24
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QUOTE(caTekk @ 7 Mar 2008, 12:46 ) *
Die Suncity ist zurück .... sehr fein! (IMG:style_emoticons/default/hehe.gif)


is eh schon höchste zeit geworden!!!
yesss, yessssss, yessssssss...
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B0tt0mline
Beitrag 13 Mar 2008, 19:32
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sorry we are circoloco
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sehr cool!

gerade seine neue cd gehört, finde ich klasse (IMG:style_emoticons/default/music.gif)

Der Beitrag wurde von B0tt0mline bearbeitet: 13 Mar 2008, 19:34
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Derek Sun
Beitrag 17 Mar 2008, 09:10
Beitrag #14


Double D on the Run
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nice nice (IMG:style_emoticons/default/biggrin.gif)
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frau_post
Beitrag 23 Mar 2008, 13:45
Beitrag #15


take it acid comes
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la la la .... *freu*

hoff a paar "alte hasn" zu treffn !!!
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daalb
Beitrag 31 Mar 2008, 20:07
Beitrag #16


The Justified Ancient of Mu Mu
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ja bei den veranstaltern und dem line-up reise ich sogar aus meinem selbstgewählten exil an! freu mich schon drauf, mit "alten" freunden zu feiern! (IMG:style_emoticons/default/biggrin.gif)

Der Beitrag wurde von daalb bearbeitet: 31 Mar 2008, 20:13
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u.a.o.e.s.
Beitrag 1 Apr 2008, 07:11
Beitrag #17


Newbie
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Freikarten Verlosung für Suncity gibt es u.a. auf (IMG:style_emoticons/default/guckstduhier.gif) www.housedeluxe.at
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little lady ;-)
Beitrag 1 Apr 2008, 10:51
Beitrag #18


Member
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QUOTE(Padre El Ferenco @ 8 Mar 2008, 19:42 ) *
da sollten wir auch wiedermal an den start gehen bianca... !!!! (IMG:style_emoticons/default/wink.gif) :D

ACHTUNG wild wirds... (IMG:style_emoticons/default/wink.gif)

...freu mich schon auf euch 2 hasen, lang ist her, als wir das letzte mal gemeinsam gefeiert haben!
endlich wieder alle von wien über öo, sbg. nach ibk. vereint, juhuu.... (IMG:style_emoticons/default/inlove.gif)
glg tanja
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g.
Beitrag 1 Apr 2008, 10:59
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.
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full lineup:

Carl Craig [planet-e, Detroit, USA]
Deetron [Music Man, Zürich, CH]
Bruce Logan [Truesoul, Luxaflex , Moll Rec., Malmö]

warm up by Hard Pete [Scheiterhaufen, Salzburg]
Live: La Linea [Shellbeach, Graz]
Visuals by Herwig Baumgartner [Exclusive Lingerie, Graz]

Afterhour: 05:00h Dom im Berg 2nd Floor hosted by Shellbeach




@little lady: stoass deim holden uane ind´rippen, der die promo anständi mochn.

(IMG:style_emoticons/default/sleeping.gif)

Der Beitrag wurde von g. bearbeitet: 1 Apr 2008, 11:00
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Andros
Beitrag 1 Apr 2008, 11:05
Beitrag #20


Hundling!
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ab 5:00 scho afterhour? wie lang gehtn die mainparty?


btw. hands up fuer bruce (IMG:style_emoticons/default/music.gif)
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