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> 26.1.2008 sound:frame 3rd ft. Deadbeat/Markus Kienzl & more, TU Wien (Prechtlsaal/Aula), Wien
Kalendereintrag

sound:frame 3rd ft. Deadbeat/Markus Kienzl & more (öffentliches Ereignis)

Datum des Ereignisses: 26. 1. 2008 (Einmaliges Ereignis)
sound:frame 3rd ft. Deadbeat/Markus Kienzl & more
LineUP Audio (Prechtsaal) live

Deadbeat (Scape Montreal/Berlin)
Markus Kienzl (Sofa Surfers/Klein Records Wien)
Stereotyp (G-Stone Wien)

A/V Performance by:

Depart (Depart Wien)

DJ`s

Rudi Roschitz (Shellbeach/Pitchworkfamilly/kOmA.kOlLeKt_eF Wien)
Silent Wolf (Gravity Crew/Play FM Wien)

VJ`s

Timo Novotny (Sofa Surfers/Vidok/Visual Displacements Wien)
Fritz Fitzke (G_Stone/eye con Wien)
Tofa (sf united/wemix.tv Berlin)
Pixkompressor (eye con Wien)
4youreye (eye con Wien)

Audio (Aula)

Leila Love (female:pressure Wien)
Missus (female:pressure Wien)



Specials/Infos Wien wird auch im Januar und Februar 2008 wieder zur Hauptstadt der Audio-vision!

Einen Monat lang stehen Fixpunkte der Stadt ganz im Zeichen der Projektion, des Sounds und der audio-visuellen Kultur.

Sound:frame, das Festival zur Visualisierung von elektronischer Musik präsentiert in vielfacher Form Arbeiten, Performances und Theorien der Crème-de-la-Crème internationaler wie nationaler VisualistInnen, VideokünstlerInnen und SoundkünstlerInnen.

Die sound:frame Ausstellung im Wiener Künstlerhaus präsentiert von 18. Januar bis 09. Februar fixe Installationen, Projektionen und Videoarbeiten ausgewählter KünstlerInnen.

Daneben kann man bei mehreren Live Events an den Wochenenden erneut das Zusammenspiel aus Sound und Projektionen genießen.

Zu ganz speziellen audio-visuellen Performances laden wir zusätzlich an ein paar Abenden ein. Internationale und nationale A/V Acts verzaubern mit aufeinander abgestimmten sound- und video Performances.

Einen wichtigen Punkt für den internationalen Diskurs stellt diesmal auch das sound:frame Symposion dar. Jeweils an den vier Samstagen, werden internationale ExpertInnen - KünstlerInnen, TheoretikerInnen, VeranstalterInnen u.v.m. – zu diversen Themenschwerpunkten vortragen und diskutieren.

Um das Programm abzurunden, bieten wir zusätzlich dazu in Kooperation mit der Fakultät für Architektur (TU Wien) zahlreiche Workshops für VisualistInnen, SoundkünstlerInnen und besonders Interessierte.


About Deadbeat:

Like most things in life, this story is not a straight-forward one-but it's all the more interesting for it.


Born in 1978 in Kitchener, Ontario, Canada ("a small, dull town supposedly great for retirement or raising children, but hell on earth to be a teenager in"), Scott Frederick Monteith aka Deadbeat can look back on a wildly varied musical history.

The son of a Reiki therapist and a United Church minister, Scott's first active musical experience was, aptly enough, singing in a church choir. After an excursion into some ill-advised acid rock basement jamming in his early teens, he soon discovered the industrial delights of Throbbing Gristle, Skinny Puppy, and Front 242. He also frequently snuck off to Toronto to go to weekend raves, where he eventually met (future collaborators and long time friends) Mike Shannon and Jeff Milligan. Following a "musical awakening during a DJ set around '94 or '95 made up almost entirely of Basic Channel and Maurizio records", Scott began to DJ himself, focusing mostly on ambient tracks and dubby techno. Shortly after turning 18, Scott moved to Montreal in search of a "fresh start."

One of Scott's first roommates turned out to hate electronic music. In an effort to stop the constant deluge of drum'n'bass and techno thumping from Scott's room, the reggae fan took it upon himself to introduce Scott to the classic roots, ska, and dub that he's been obsessed with ever since. Always one to adapt to his surroundings, Scott soon became an integral part of Montreal's burgeoning music scene, which included Akufen and Tim Hecker. Scott organized a string of parties with another of his roommates, Steve Beaupre (now his collaborator in Crackhaus) under the name Covert Ops, which attracted the originators of the soon-to-be-realized Mutek Festival (notably, Alain Mongeau, Eric Mattson, and Vincent Lemieux).

Between 1999 and 2003 Scott also worked for Montreal-based music software company Applied Acoustics Systems (AAS), and there deepened his technical understanding of synthesis and sound design.

Although he spends time building new instruments (using AAS' Tassman as well as Native Instruments' Reaktor), Scott's work is by no means determined by technical process alone: "A sound can be interesting and exciting on its own from a technical or aesthetic perspective but if that's all there is, it quickly becomes boring to listen to. As time goes on, I'm increasingly concerned with creating sound that is really mine rather than just something new." He is also a strong advocate of computer-based production. " I don't use any hardware other than MIDI controllers and I don't think I ever will."

A prolific composer and sought-after performer, Scott's tracks (as Deadbeat and as Crackhaus) have appeared on a huge range of labels and compilations. After his debut album on Intr_version (an "investigation of dub on the cellular level") and a string of 12-inches, the 2002 long-player "Wildlife Documentaries" on ~scape reinvented the aural trademarks of dub in an almost cinematic framework.

"Because so much of my music is heavily influenced by black musical traditions, I often struggle with finding the right line between expressing a genuine love and respect through reinterpretation, and falling into a trap of empty nostalgic reference (and cultural appropriation)." With his 2003 album "Something Borrowed, Something Blue", a soundtrack to the months preceding his wedding, Scott has proven that this is not a trap he is likely to fall into.

A master of blurred boundaries, Scott's internationally-lauded, irreverent approach to deconstructing genres and mixing musical metaphors continues to shimmer with subtle ingenuity. Allowing his stories to unravel with teasing languor, he urges us to accompany his inimitable set of characters on their mesmeric quest through an ever thickening plot - a story to be continued.


Discography

July 2000 - Hautec (CA) - Cesium Beam -12"
October 2000 - Revolver(CA)- Untitled -12"
November 2000 - Intr_version(CA)- Comp. - With Naïve Assurance...- track - Op.ticks - CD
April 2001 - Background Records(DE)- Tinkertronix - 12"
June 2001 - Intr_version(CA) - Primordia - CD January 2002 - Force Inc(DE) - Montreal Smoked Meat - Comp. - Pocket Dwellers - CD + 2x12"
February 2002 - Oral(CA) - Volt AA 2 - Comp. - Grid - CD
May 2002 - Scape(DE) - staedtizism 3 -Comp. - Right as Rain - CD + 2x12"
May 2002 - Mutek(CA) - Mutek 2002 - Comp - Farewell Queen Mum (Mutek Edit) -CD
September 2002 - Revolver(CA) - Miso - 12"
December 2002 - Scape(DE) - Wild Life Documentaries - CD + 2X12"
January 2003 - Cynosure(CA) - Saying Nothing - 12"
February 2003 - Klitekture(ES) - Disaster in the Dancehall - 12"
July 2003 - Scape(DE) - staedtizism 4 - Comp. - Fun..k? - CD +2X12"
September 2003 - BSI Records(US) - Systemwide Remixes - Deadbeat remixes Reclame - CD
March 2004 - Scape(DE) - something borrowed, something blue - CD + 2X12"


As Crackhaus (with S. Beaupre)


January 2002 - Force Inc(DE)- Montreal Smoked Meat - Comp. - track - 40 Oz Funk - CD + 2x12"
April 2002 - Force Inc(DE)- Akufen 's Deck the House - Crack Haus Remix-12"
October 2003 - Onitour(DE) - Crackhaus - It's a Crackhaus thing - CD+2x12"
November 2003 - Musique Risquée(CA) - Crackhaus - Blame Canada - 12"


Film / DVD / Web


January 2002 - Shadow Riders - Gaspargo Productions(CA) - selected works, soundtrack
July 2002 - Epsilon Lab DVD - w/ visuals by Cinetek
November 2002 - FCMM website (CA) - main page soundtrack
Entry tba
Styles Technodub/Dubstyle/Dubstep/Breaks & more
Location TU Wien (Prechtlsaal/Aula)
Karlsplatz 13
1040 Wien
Distance um die Entfernung zu berechnen bitte Postleitzahl in deinem Profil eingeben
Routenplaner Größere Kartenansicht/Routenplaner
Flyer
sonstiges sound:frame
sound:frame on myspace
Deadbeat
Markus Kienzl
Stereotyp
Rudi Roschitz
Silent Wolf
Zurück
Chriskeepsdiggin...
Beitrag 31 Dec 2007, 15:52
Beitrag #1


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First of all - happy new year to all of you!


The Festivalpage


http://www.soundframe.at


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