Nach einem fulminanten Opening im Roxy zieht CMYK farbenfroh weiter: Die zweite Ausgabe des Club Pompadour findet im sagenumwobenen Camera Club statt. Mit an Bord sind drei Vertreter des Berliner Get Physical Labels.

Der Name ist dabei natürlich Programm: Kaum könnte zeitgenössische Musik mehr zu rhythmusverursachter Gewebestraffung auffordern als die Releases auf diesem Imprint.
Neben zweien der bedeutendsten Künstlern des Labels, dem Djuma Soundsystem aus Dänemark und Williams aus Schottland gibt sich auch Geschäftsführer DJ T. die Ehre. Als jahrelanger Herausgeber des Groove-Magazins kennt er den Groove wie kaum ein anderer und weiß natürlich auch, wie man mit ihm umgeht.

Als lokale Support-Acts machen Thomas Grün und Philipp Blecha das Workout-Programm der Extraklasse komplett. Ein schillernder Abend in allen Farben der elektronischen Musik ist somit garantiert, so wie es bei CMYK eben sein muss!

Thomas Koch aka DJ T. / Biography

For almost twenty years Thomas Koch – DJ T. – has been a vital part of the techno and house scene. In a range of different capacities: among others, Koch worked and works as a DJ, producer, promoter, club operator, publisher and journalist. In 2005, he relocated from Frankfurt to Berlin.

Blame it all on the disco ball. Born in 1969 in the city of Dusseldorf, at the tender age of nine Koch succumbed to the glistening seduction of black vinyl. By this time, his family had moved to Frankfurt, ‘disco’ had reached its zenith and Koch’s parents continued to ply him with early vinyl compilations, triggering what would become a serious and lifelong collection streak. T.’s burgeoning obsession went beyond disco and hi N-R-G – Village People, Donna Summer and Evelyn Thomas were soon followed by early rap music (via Grandmaster Flash) and finally – from 1983 – electro funk and its seminal protagonists Afrika Bambaataa, Planet Patrol, Newcleus and Mantronix. Their tracks had everything Koch craved: glam, funk, beats and bass. They were the soundtrack to a new dance culture. To Koch, this was love at first sight and he decided to take up breakdancing. Until this day, many of DJ T.’s own productions preserve the musical spirit of this period. Some loves do last forever.

Like many of his fellow DJs, Koch’s career on the decks began with trial stints at private parties, back in 1985. For his first professional gigs two years later he adopted the pseudonym DJ T - a moniker he retains to this day. Early fare on his turntables: black music in all its variants. Spinning at a range of different clubs in and around Frankfurt, T. soon found himself swept away by the powerful acid house wave that hit the city with the opening of Omen in 1988. Caught in the surge, Koch switched to straight beats and soon moved the crowds with early house, EBM and techno tracks, followed by his first residency at Frankfurt’s seminal Music Hall. Throughout the 90s, he played almost all of the city’s essential clubs, including extended stopovers at Plastik, Dorian Gray and The Box. By now Frankfurt, one of Europe’s foremost epicentres of electronic dance music, has become indelibly linked with the name DJ T. In 1999 Koch, Patrik Dechent and others opened their own club Monza and, for the next five years, Koch played a decisive part in shaping its profile. Impressive names like Steve Bug, DJ Hell, Ricardo Villalobos and Tiefschwarz were among the venue’s welcome and frequent guests. Run without Koch since 2004, Monza continues to claim its place among Germany’s foremost clubbing locations; its offshoot at Space/Ibiza counts among the island’s hippest events.

Moving back in time, in 1989 Koch founded the influential German-language magazine ‚Groove’. Until this day, Groove remains Germany’s most important and high-quality publication for the electronic aspects of life, alongside ‘De:Bug’. According to Koch, it was all about “creating a magazine that would meet my own needs. I assumed there were many others with similar needs out there.” And history proved him right. Besides serving as Groove’s publisher and author for fifteen years, he also contributed to anthologies on club music, among others ‘Localiser 1.0’ and ‘techno’.

Places of euphoria

In 2002, Koch and friends decided to start their own label, Get Physical Music. By now, the label’s popularity and fame has spread well beyond its Berlin base – reaching #4 (of favourite labels) in the annual Groove reader’s poll in 2004, Get Physical also claimed the coveted ‘label of the year 2005’ slot of British club bible DJ Mag. One would be hard-pressed to find a single techno/house DJ around the world who does not reach for at least one Get Physical track when things get hot.

Featuring six seasoned veterans of electronic music and club culture, the label collective also includes DJ and production team Patrick Bodmer and Philipp Jung (otherwise known as M.A.N.D.Y.) as well as producers and studio owners Booka Shade (Walter Merziger, Arno Kammermeier, Peter Hayo). Focussing on A&R, Koch tirelessly scours the scene for new talents, soaks up demos, establishes contacts and takes care of those already signed and their current productions. And yet, besides all these activities, Koch still finds time pursue his own artistic endeavours.

2000 saw the release of his first production with ‚Monsterbaze’, a Steve Bug co-production on the latter’s Pokerflat label. Ever since - discounting a co-operation with Freestyleman on Moodmusic - Koch has stayed true to his own label. After five years as a musician in his own right and a move to Berlin, Koch was ready to unleash his first album ‘Boogie Playground’ (2005), a reverence-laden and referential piece of music paying homage to T.’s own past and all those variants of early club music that had shaped his future path. Balancing all these citations and moods that gave classic funk and electro as well as disco, italo and acid house their good name, ‘Boogie Playground’ wraps them all up in contemporary sound design. A new album is in the planning for 2007: moving beyond Koch’s 70s and 80s roots, we can expect a strong Detroit and Chicago slant.

In addition, Koch’s talents as a remixer have not gone unnoticed. His interpretations of acts like Spektrum, Mylor or Newcleus plus remixes for labels like ArtofDisco/Yellow, 20:20 Vision, Simple and Naked Music have moved critics and crowds alike. Berlin daily ‘taz’ on his recently released, first commercially available DJ mix ‘Body Language Vol. 2 ‘ (2006): “Koch combines tracks from the most varied of genres. And yet, his goal is aligned to the mix’s ideal location – triggering the most disparate of euphoria-soaked locations, he touches on the different wave forms of twenty years of party bliss.” An apt description of DJ T.’s club sets. Whether, like every weekend, somewhere in Europe or on one of his extensive tours of North and South America, Australia or – soon – Asia: T.’s sets are invariably stirring and extraordinarily varied. In this Koch is most certainly no ‘style fascist’, but rather something like a bass and groove addicted club historian with a firm grip of the present. His sets turn 25 years of electronic music history into one fine, homogenous blend, reminiscent of expansive narratives that transform the significant links between genres and ages into a physical experience. Yet despite all this track-inherent party spirit, Koch also knows how to send 6pm crowds into veritable danceathons – the tireless Watergate and Panoramabar favourite can probably tap it out in Morse code.

uno. sehr sehr fein, der dj t steht schon lang auf meiner will ich sehen und hören liste
dos. sicher wär booka shade hammer, aber man übe sich in geduld, die verschlägts sicher auch wieder mal nach wien. sonst sind sie am sziget zu sehen
tres. cmyk? so heißt ja das label vom ales under. was steckt den hinter der cmyk crew?

hello motto!

suport suport! werde schaun das ich da hin schaue, denn wie mir gerade mitgeteilt wurde sollte ich da umbedingt anwesend sein. hoffe es ist machbar.

falls es sich ausgeht freue ich mich darauf! (IMG:style_emoticons/default/biggrin.gif)