Willkommen, Gast ( Anmelden | Registrierung )
Willkommen, Gast ( Anmelden | Registrierung )
|
|
Datum des Ereignisses: 20. 1. 2009 (Einmaliges Ereignis) |
| Crazy meets New Kanada feat. Adam Marshall live/dj | |
| LineUP |
Adam Marshall (New Kanada/Kuji/Blue/Killer/Dumb-Unit/Cynosure) aka Mood Edit live & djìng!!! supported by Crazy Sonic (Flexschallplatten) Chris Esycho (Can..t mix won..t mix/Play FM) |
| Specials/Infos | - Gewinnspiel (siehe unten) |
| Entry | KA |
| Styles | House/Techno/ |
| Location |
Flex U2 - U4 Schottenring Donaukanal, Abgang Augartenbrücke 1010 Wien |
| Distance | um die Entfernung zu berechnen bitte Postleitzahl in deinem Profil eingeben |
| Routenplaner | Größere Kartenansicht/Routenplaner |
| Flyer |
  |
| sonstiges |
Gewinnspiel: 3 x 2 Karten Artistlinks: http://www.adam-marshall.com http://www.newkanada.info http://www.myspace.com/remote_culture http://www.myspace.com/chris_esycho http://www.myspace.com/crazysonja Clublinks: http://www.flex.at http://www.crazyclub.at The Historical Facts: Adam grew up in Toronto and was attracted to music from an early age. His parents met in a disco, and at home he was raised to the soundtrack of MFSB and Donna Summer. In his teen years, he rebelled against his parents and got hooked on the "indie rock" sound of the late 90's - eschewing anything remotely "electronic". His love of bands like Pavement, Dinosaur Jr. and My Bloody Valentine lead him directly to the album that changed everything - Primal Scream's "Screamadelica". It was Andrew Weatherall's masterful production on this album which allowed Adam to overcome his distrust of "electronic" music and appreciate the "soulful" techno and "deep" house of acts like B12, LFO, The Orb and The Black Dog - all which still inspire him to this day. While Toronto's huge rave and club scene was climaxing in the late 90's, Adam found more in common with what was going on south of the border; in Detroit, Chicago and the US midwest. From the dark brooding environments of Richie Hawtin's Jak parties in Detroit, to the bumpity-bump of Derrick Carter going off at a warehouse on the Southside of Chicago - house and techno music was alive and kicking; and it was going deep. Hoping to foster a like-minded environment back home, Adam - along with long-time friends Jeff Milligan, Mike Shannon, and Jeremy P. Caulfield - started to produce special events that showcased a new style of "techno" music"; one which embraced soul, style and substance - and avoided the tired cliches of disposable dance music. During this time, Adam's skillful DJ sets were appreciated at many of the city's major nightspots - playing weekly to big crowds at underground raves and well-respected clubs such as Industry, System Soundbar, and his own club night "Blue" (whose wide-open booking policy attracted a wide variety of guests including Chez Damier, Theo Parrish, Marco Carola, Gene Farris, Moodymann & Ron Trent). Alongside a busy DJ schedule, he was the main record buyer at one of Toronto's most cutting-edge shops, Speed Records, which aimed to break down the artificial walls between the worlds of "house" and "techno". As the once huge rave scene began to slowly implode, Adam took a step back from the DJ limelight and began to build a studio and concentrate more seriously on music production. He released his first record in 2002, and followed that by starting his own label in 2004 called Killer Recordings. Underground to a fault, and relatively unrecognized in North America, Killer was well received in Germany and the UK and allowed Adam to make the connections neccessary to take things to the next level. For the next 4 years Adam released a number of singles on labels such as Cynosure, Dumb-Unit, Thema and Supesharu. These releases - rough, raw, and tracky - allowed him to experiment with more organic directions usually ignored in the clinical precision of "minimal techno". From the dusty, monotone groove of "Magnum", to the swinging jazz chops on his Supesharu remix - Adam has consistently pushed the envelope in the opposite direction of his peers. With these initial experiments behind him, Adam launched the New Kanada label in 2006 as a platform for himself and others to release music too raw for "minimal" and too tough for "house". From Dot Wiggin's critically acclaimed "T-Rex" release ( with it's 12 minute jouney into analogue fuzz), to the epic dirty chords of Adam's "Nightsailing" EP - New Kanada's sound has matured into a unique voice in the international scene. DISCOGRAPHY: KUJI - “Chord Tracking” EP [KUJI01] w/ remix by Mike Shannon THEMA - “Spanish Girls” EP [THEMA004] CYNOSURE - “Remote Culture” EP [CYN016] NEW KANADA - “Thelon” EP [NK012] w/ remixes by Todd Sines & Deadbeat NEW KANADA - “Man and Nature” EP [NK11] NEW KANADA - “Night Sailing” EP [NK10] w/ remix by Ernesto Ferreyra NEW KANADA - “Santa Domingo Is Dead” EP [NK06] NEW KANADA - “In Mood” EP [NK04] NEW KANADA - “Naked” EP [NK03] w/ remix by Hearthrob NEW KANADA - “Black Snow Remixes” EP [NK02] NEW KANADA - “Black Snow” EP [NK01] ANTENNA INTERNATIONAL – “Experimental House Approach” [ANT03] KILLER - “Stare” EP [KILL01] KILLER - “Underwater Symphonies” EP [KILL02] KILLER - “Ways Of Believing” EP [KILL03] KILLER - “Voodoo Mood” EP [KILL04] KILLER - “Crushed Faith” EP [KILL05] DEEP NIGHT ESSENTIALS - “New Kanada” EP [DN03] DUMB-UNIT - “The Calling” EP [DU03] BLUE - “Avalokitesara” EP [BLUE01] Remixes: KUJI - Murr’s “Fables and Fairytales (Adam Marshall’s Into The Spirit Lands Remix)” [KUJI02] LEFT OF THE DIAL - Alton Miller’s “Changes (Adam Marshall’s Deep Rip remix)” [LOTD03] NEW KANADA - Dot Wiggin’s “T-Rex (Adam Marshall Redux remix) [NK07] A/S SYSTEMS - Rob Ven’s “Black (Adam’s Turning Black remix)” [AS04] SUPESHARU - Polmo Polpo’s “Hanging Out (Adam Marshall’s Jazz Police remix)” [SUPE02] BIP HOP - Pantone’s “Fantasy Stare (Marshall remix)” [BLEEP26/27] Compilations: THIRD EAR JAPAN - “Vancouver 96” [XECD-1039-40] DUMB-UNIT - “The Calling” [DU15] BLANK - “Kareem Is Breaking” [HECB-1001_JAPAN] ONITOR - “Our Style” [ONITOR48] SENTIENT SOUND - “Shadow + Light” [SNS04] |
| Zurück | |
|
|
Datum des Ereignisses: 20. 1. 2009 (Einmaliges Ereignis) |
| Deichkind + Orpheum Graz = Krawall und Remmi demmi | |
| LineUP | |
| Specials/Infos | - Beginn 20:00 |
| Entry | € 26,- |
| Styles | |
| Location |
Orpheum Graz Orpheumgasse 8 8020 Graz |
| Distance | um die Entfernung zu berechnen bitte Postleitzahl in deinem Profil eingeben |
| Routenplaner | Größere Kartenansicht/Routenplaner |
| Flyer |
 |
| sonstiges | |
| Zurück | |
|
|
Datum des Ereignisses: 20. 1. 2009 (Einmaliges Ereignis) |
| G-hood´s Houselounge | |
| LineUP |
G-hood http://www.die-bank.com |
| Specials/Infos | Start 21:30 |
| Entry | free |
| Styles | Deephouse |
| Location |
Die Bank Müllerstrasse 42 80468 München |
| Distance | um die Entfernung zu berechnen bitte Postleitzahl in deinem Profil eingeben |
| Routenplaner | Größere Kartenansicht/Routenplaner |
| Flyer |
  |
| sonstiges | |
| Zurück | |
|
Vereinfachte Darstellung | Aktuelles Datum: 28. May 2024 - 22:47 |
|
Copyright 2001 - 2014 technoboard.at
|
|
Die
Texte geben die Meinung der Autoren und nicht unbedingt die des technoboard.at
Teams wieder.
Alle fraglichen Inhalte werden auf Anfrage und alle gegen die BoardRegeln verstossenden Einträge automatisch entfernt (sobald sie bemerkt werden). Kontakt: [email protected] |
|
connected by:  |
